多相片合成旅行明信片

Create ONE premium minimalist "CONTINUOUS BRUSH MEMORY" artwork based ONLY on ALL uploaded photographs. Use the uploaded photographs as a VISUAL MEMORY LIBRARY. Analyze every new set of photographs independently. NEVER carry over people, places, objects, scenery, captions, colors, layouts, landmarks, or ideas from previous generations. ━━━━━━━━━━━━━━━━━━━━ OPTIONAL USER INPUT ━━━━━━━━━━━━━━━━━━━━ PLACE: [optional] DATE: [optional] CAPTION: [optional] If PLACE is provided: Use it accurately as the main location title. If PLACE is blank: Only identify the place if it is clearly and reliably visible from the uploaded photographs. Otherwise omit the place. NEVER guess. If DATE is provided: Use the exact date supplied by the user. If DATE is blank: DO NOT invent a date. If CAPTION is provided: Use the user's caption. You may make very small typographic adjustments, but preserve the original meaning. If CAPTION is blank: Study ALL uploaded photographs and automatically create ONE short caption that captures the overall memory, activity, atmosphere or experience. Prefer approximately 2–7 words. The caption should feel: • personal • understated • warm • tasteful • specific to the photographs • suitable for a travel journal DO NOT use generic travel clichés such as: "Wanderlust", "Chasing sunsets", "Lost in the right direction", "Paradise found", "Live life", "Beautiful memories", "Adventure awaits". ━━━━━━━━━━━━━━━━━━━━ THE SECRET WORKFLOW ━━━━━━━━━━━━━━━━━━━━ Follow this creative process: 1. STUDY all uploaded photographs thoroughly. 2. DISCOVER: • the true emotional heart of the memory • recurring colors • distinctive shapes • strong environmental elements • the most interesting interaction or subject. 3. SELECT internally: • 1 HERO memory (the emotional anchor) • 2–3 SUPPORTING memories (atmosphere, place, context) • 1–2 SMALL ACCENT memories (texture, small object, tiny detail). 4. DISCARD weak, redundant or poorly composed photographs. 5. MERGE the selected elements into ONE cohesive, simplified world. 6. PAINT that world with confident, economical brushwork. ━━━━━━━━━━━━━━━━━━━━ NO PHOTO COLLAGES ━━━━━━━━━━━━━━━━━━━━ DO NOT make a photo grid. DO NOT make a split screen. DO NOT make a comic book page. DO NOT make floating polaroids. DO NOT put photos in frames. DO NOT place photographs side-by-side. DO NOT cut and paste photographic fragments together. This is NOT a collage. It is ONE continuous painting created from multiple memories. ━━━━━━━━━━━━━━━━━━━━ ONE CONTINUOUS WORLD ━━━━━━━━━━━━━━━━━━━━ Everything must appear to belong naturally to ONE continuous illustrated environment. Connect memories using real environmental forms such as: • ground • road • sand • river • sea • vegetation • trees • architecture • shoreline • jetty • horizon • sky • atmospheric brush marks. There must be NO obvious point where: "PHOTO 1 ends" and "PHOTO 2 begins." The viewer should experience ONE visual journey. ━━━━━━━━━━━━━━━━━━━━ HERO-FIRST COMPOSITION ━━━━━━━━━━━━━━━━━━━━ ONE subject or scene must clearly dominate. The HERO may be: • people • family/group • landmark • vehicle • activity • building • landscape depending entirely on the uploaded photographs. Make the hero approximately 30–45% of the visual attention. Supporting memories must be smaller and simpler. Small accents should function almost like discoveries. VISUAL HIERARCHY: HERO ↓ SUPPORTING MEMORY ↓ SUPPORTING MEMORY ↓ SMALL DETAIL ↓ SMALL DETAIL. NEVER make every element equally important. ━━━━━━━━━━━━━━━━━━━━ DO NOT CROWD THE ARTWORK ━━━━━━━━━━━━━━━━━━━━ This is CRITICAL. Keep approximately 25–40% of the composition visually quiet. Allow: • blank paper • open sky • calm water • empty ground • soft unfinished areas • faded brush transitions. DO NOT fill every available space. DO NOT squeeze more subjects into empty areas simply because space exists. EMPTY SPACE IS PART OF THE DESIGN. ━━━━━━━━━━━━━━━━━━━━ BRUSH STYLE — STRICTLY LOCKED ━━━━━━━━━━━━━━━━━━━━ Use a sophisticated minimalist hand-painted style. Visual inspiration: modern travel journal + dry gouache + editorial illustration + bold brush painting + minimal ink accents. Use: • broad flat brush strokes • visible bristle texture • dry-brush marks • rough irregular edges • imperfect paint coverage • broken contours • confident gestural strokes • simple painted silhouettes • restrained fine lines • occasional unfinished shapes • exposed paper between strokes. Every stroke must have a purpose. ━━━━━━━━━━━━━━━━━━━━ PAINTING FIRST — VERY IMPORTANT ━━━━━━━━━━━━━━━━━━━━ The final result must look like: A PAINTING. NOT: a photograph with a painting filter. Reduce photographic information approximately 70–85%. Simplify aggressively. A complicated tree may become several bold green strokes. A building may become a recognizable geometric silhouette. A vehicle may preserve its distinctive overall shape without every mechanical detail. Water may become several horizontal painted marks. Clouds may become large soft brush shapes. Background people may become tiny gestural silhouettes. Food may become a few recognizable painted shapes. SUGGEST rather than describe everything. ━━━━━━━━━━━━━━━━━━━━ BRUSH ECONOMY ━━━━━━━━━━━━━━━━━━━━ Whenever something can be communicated with 3 brush strokes instead of 20, USE 3. Do NOT trace every edge. Do NOT reproduce every texture. Do NOT paint every leaf. Do NOT paint every window. Do NOT paint every stone. Do NOT paint every object on a table. Do NOT render every person in the background. Simplification is REQUIRED. ━━━━━━━━━━━━━━━━━━━━ PEOPLE ━━━━━━━━━━━━━━━━━━━━ When people are important, preserve enough information for recognition: • approximate facial appearance • hairstyle • headwear • clothing colors • distinctive accessories • body proportions • pose • gesture • interaction. However: DO NOT make every face photorealistic. Faces should remain painterly and simplified. Main people: slightly more recognizable. Supporting people: less detailed. Background people: simple gestural figures. ━━━━━━━━━━━━━━━━━━━━ REPEATED PEOPLE ━━━━━━━━━━━━━━━━━━━━ The same person may appear in several uploaded photographs. DO NOT automatically reproduce that person multiple times. Prefer ONE strongest appearance. Repeat a person only when absolutely necessary to communicate a sequence or activity. Avoid accidental clones. ━━━━━━━━━━━━━━━━━━━━ OBJECT SELECTION ━━━━━━━━━━━━━━━━━━━━ Preserve distinctive objects when they help tell the memory. Examples: vehicle, boat, tent, food, table, sign, building, bridge, jetty, animal, equipment. But simplify them. DO NOT treat every object as equally important. ━━━━━━━━━━━━━━━━━━━━ LANDMARKS & SIGNS ━━━━━━━━━━━━━━━━━━━━ If a landmark or place sign is visually important, preserve enough of its structure to make it recognizable. Do NOT unnecessarily reproduce every commercial sign, advertisement, banner, sticker, registration plate, warning label or small piece of text. Minor signage should usually disappear. Only retain textual information that genuinely helps identify the memory or place. ━━━━━━━━━━━━━━━━━━━━ BACKGROUND ━━━━━━━━━━━━━━━━━━━━ DO NOT combine every background. Create ONE simplified environment inspired by the strongest environmental information across the photographs. Let secondary backgrounds dissolve into: • brush marks • vegetation • sky • water • ground • exposed paper. The environment should support the memory, not compete with it. ━━━━━━━━━━━━━━━━━━━━ COLOR PALETTE ━━━━━━━━━━━━━━━━━━━━ Extract colors naturally from the uploaded photographs. Then simplify them into a harmonious, slightly muted travel-art palette. Prefer approximately 5–9 dominant colors. Allow: • warm ivory • earthy neutrals • muted greens • dusty blues • warm terracotta • restrained accent colors when genuinely inspired by the photographs. Do NOT oversaturate everything. ━━━━━━━━━━━━━━━━━━━━ PAPER ━━━━━━━━━━━━━━━━━━━━ Use warm natural ivory art paper. Subtle texture only: • tiny fibers • gentle grain • slight handmade imperfections. The paper should remain visible around and occasionally THROUGH the brushwork. NO heavy vintage stains. NO fake torn edges. ━━━━━━━━━━━━━━━━━━━━ TYPOGRAPHY — PREMIUM ━━━━━━━━━━━━━━━━━━━━ Typography must feel intentionally art-directed. It should resemble a premium: travel print / editorial journal / museum poster or independent travel publication. Use hierarchy based on available information. When PLACE + DATE + CAPTION exist: [small refined label] TEMPAT [large elegant title] PLACE [small spaced typography] DATE [small expressive accent] CAPTION PLACE should usually receive the strongest typographic emphasis. Use: • refined serif • elegant condensed serif • tasteful uppercase • generous letter spacing • subtle handwritten accent when appropriate. CAPTION may use a restrained handwritten brush script or elegant italic serif.

僅根據所有上傳的照片，創作一幅高級極簡風格的「連續筆觸記憶 (CONTINUOUS BRUSH MEMORY)」藝術畫作。 將上傳的所有照片作為「視覺記憶庫 (VISUAL MEMORY LIBRARY)」。 獨立分析每一組全新的照片，嚴禁沿用先前的任何記憶、人物、地點或版式。 【可選輸入欄位】 地點 (PLACE): [可留空或填寫] 日期 (DATE): [可留空或填寫] 標題文案 (CAPTION): [可留空或填寫] - 若提供 PLACE，請準確作為主標題；若未提供且照片無法可靠識別，則省略地點，絕不胡亂猜測。 - 若提供 DATE 則如實使用，留空則不無中生有。 - 若提供 CAPTION 則使用該文案；若留空，請研讀所有照片，自動創作一句 2–7 個英文單詞、溫潤克制、適合旅行手帳的短文案（避開老套陳腔濫調）。 【核心創作原則】 1. 嚴禁照片拼貼 (NO COLLAGES)：禁止九宮格、相框、拍立得浮貼、漫畫分鏡或生硬拼圖。這是一幅由多個記憶重構成的「單一連續畫作」。 2. 單一連續世界 (ONE CONTINUOUS WORLD)：以地面、道路、沙灘、海洋、樹木、建築與天空自然串聯所有記憶，畫面上不應存在任何照片邊界或接縫。 3. 主角優先構圖 (HERO-FIRST)：由 1 個視覺主角佔據 30–45% 視覺焦點，次要記憶與細節層級遞減，禁止每項元素均等重要。 4. 強制留白呼吸 (DO NOT CROWD)：畫面必須保留 25–40% 的平靜留白區域（原色紙白、天空、水面、淡出筆觸），留白本身就是設計。 5. 筆觸風格 (BRUSH STYLE)：當代旅行手帳 + 乾性水粉 (dry gouache) + 編輯插畫 + 俐落平筆與少許墨水線條。保留可見的鬃毛紋理、乾筆飛白與不均勻覆蓋。 6. 畫作優先於照片濾鏡：削減 70–85% 的照片寫實細節，進行大膽抽象化與幾何簡化。3 筆能交代的事絕不用 20 筆。 7. 人物與物件：主角保留髮型、姿態與穿搭特徵但畫意化，背景人物轉為簡單剪影；同一人在多張照片出現僅畫最強的一次，杜絕複製分身。 8. 溫潤色彩與紙張：自照片抽取 5–9 種低飽和大地旅途色彩（暖象牙白、灰綠、灰藍、陶土色）。採用具備細微纖維肌理的暖象牙原紙，無重度做舊污漬。 9. 典雅出版級排版：海報頂部或底部具備層級清晰的藝術字體（優雅襯線體大寫標題、寬字距、精緻小標籤），達到當代獨立雜誌出版品質感。